I have closed comments on this thread because I don’t have the time or energy to respond to the negativity that this post has begun to generate (I’m leaving the comments there, though). It’s fairly predictable pushback, a cycle I’ve seen many times online before, and I don’t want to contribute to it. While I have been assured that my original post was not inflammatory or unfair, I am altering some of the language in it. I can’t prove that my concept was copied – is there such a thing as coincidence? sure! is there such a thing as parallel thought? sure! do I think that’s what happened with this concept? not really! But I also don’t know the individual designer and I don’t want to be unfair to her. My issue was with a big company more than an individual.
To the question of why I didn’t try harder to reach out to the company or designer, and why I waited three months to write this post – my regular readers know that I’ve had a lot of trauma and grief in my life in these last few months. I don’t think I need to justify myself any further about that.
Last year, I was so excited to release my free conceptual knitting idea into the world. Crackerjack was initially created as a baseball-themed infinity scarf, a way of charting one team’s progress over a single season. It was inspired by other conceptual knitting ideas, and I freely gave credit and linked to those. In my release of the customizable download, I encouraged people to interpret it however they would like – not only with baseball, but with hockey or football, or whatever sport they liked.
At the end of the 2014 baseball season, I finished my Detroit Tigers version:

I was so happy with how it turned out. But more than that, I was so pleased with the response. I loved watching people interpret the concept for themselves, and I loved hearing from people about their own enthusiasm for baseball and for this project. High-profile knitters and designers tweeted their nice comments and sometimes their own works-in-progress. Someone even sent me this article from their local newspaper, about my design. And then, even Knit Picks posted a picture on Instagram of a Crackerjack-in-progress – what a thrill! I felt I’d come up with a genuinely unique idea, and that people liked it.
Then late this summer, 18 months after I published the concept, someone alerted me to the fact that a large yarn company was promoting a concept with a striking resemblance to what I thought was a unique and pretty specific idea.
I’ve seen this happen plenty of times before, where a large company takes an idea or an inspiration from an independent designer, profiting from their work on a much larger scale than the independent designer. We like to think the knitting community is kind and mutually supportive, but I have seen this happen many times and heard sad tales of it from others. In my case, I wasn’t making a profit from my idea – I was giving it away, encouraging people to interpret it however they would like (including using it for hockey or football). It was a concept, not a pure pattern, but with some pattern and calculation support. I did it because of my love of knitting, my love of baseball, and my love of the knitting community. However, as an independent designer, even my free designs can indirectly contribute to my livelihood, because sometimes, when a person knits one of my free designs, they then check out and purchase one of my paid patterns. Or they visit my blog, which in the past (but not currently) has had some advertising revenue linked to it.
But mostly, for me, the issue is not lost revenue but an issue of integrity. Given that the company and designer are also giving the design away for free (but presumably profiting from yarn sales, as the pattern is designed for one of their yarns), why couldn’t they give credit to the source of their inspiration, just as I gave credit to the sources of my inspiration? What would that have cost them?
edited to add: It’s entirely possible that I am wrong about all of this, and that, as suggested by some in the comments section, this is a matter of coincidence or “parallel thought.” It’s a pretty specific idea, and executed precisely like mine, and well after mine was published, so I’m not inclined to see it as a coincidence. But if it were a case of coincidence, it would have been very easy for the company or designer to say that to me when I contacted them in August.
I will say that, as a designer, I do a thorough search of Ravelry before I publish anything (and, in contrast to what a commenter says below, there was nothing I could find on Ravelry before I published Crackerjack that was a sport-themed conceptual knitting pattern – I do wonder if some of the commenters know what I’m talking about when I talk about conceptual knitting). When I search Ravelry to make sure what I’ve come up with doesn’t too closely resemble someone else’s design, I clarify for myself how my design is different, and from where my sources of inspiration came. If I were ever to be contacted by someone who thought one of my designs too closely resembled theirs, I would be very ready to make a response.
Crackerjack was an idea that was so close to my heart, my little brainchild, a genuinely fun and creative idea, and something I felt very proud of. I’m flattered that a company of some size and influence thought the idea was worthy of imitating. I’m less flattered at the lack of communication regarding the inspiration.
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